An unnamed narrator attends an elite but perennially freezing private girls’ school in New York City during the 1960’s. At first almost invisible, she evolves from seven-year-old witness to fifteen-year-old actor as she navigates a Halloween party, observes a classmate’s sudden hair growth, and encounters two eccentric teachers. Zombies, fetal pigs, Shakespeare, and cigarettes make appearances in this linked set of flash fiction stories which weave in and out of magical realism and affirm the possibility of survival even under the most peculiar conditions.


The Warbler School Chronicles by Stephanie Barbé Hammer is available now.


Stephanie Barbé Hammer is an award-winning novelist, short fiction writer, and poet. She has published work in a bunch of places including The Chiron Review, Phantom Drift, The RavensPerch, and Spillway. Her most recent novel is the Foreword Indie recognized magical realist mystery Journey to Merveilleux City (Picture Show Press). Her other titles for Bamboo Dart Press are City Slicker: encounters with the outside and Rescue Plan. A former New Yorker, Stephanie moved to California in 1986 and has (mostly) been there ever since. She lives in Santa Barbara with her husband, writer and political organizer Larry Behrendt. Learn more about Stephanie’s books and her creative writing classes at her website or follow her on Instagram.

Substack: stephaniebarbehammer.substack.com

Facebook: @stephamm

Instagram: @stephaniebhammer

Website: www.stephaniehammer.com


Each of the 32 poems in Here to Be Remade owes its vocabulary to a separate book of poems taken from the writer’s bookshelf—usually the first and last lines in that collection. The author set herself the challenge of creating a coherent poem from these word sets without borrowing lines or phrases from the collection from which the words were taken.
The poems are condensed and diverse, reflecting the mind of a poet as collage artist. Paintings, also created by the author, are interspersed among the poems.




Lavina Blossom grew up in rural Michigan and now lives in Southern California where she is growing a native California garden of drought-tolerant plants that support local birds and insects, as well as many spiders, lizards, and an occasional field mouse. She has written articles on the writing process for the Inlandia Institute and was a poetry editor for Inlandia’s online journal. Her poems have appeared in various publications, including The Paris Review, Poemeleon, Common Ground Review, Gyroscope Review, and Book of Matches. Her flash fiction has appeared in 10 by 10 Flash, Every Day Fiction, and Okay Donkey.

Instagram: @lavinablossom

Facebook: @lavina.blossom

Website: www.dailypaintworks.com


In What We Leave Behind, Peter Wortsman’s fourth book of cut-ups, he lets the words run wild, in some cases, as in French poet Guillaume Apollinaire’s Calligrames (1918), letting words break ranks and dance on the page; in other cases, coupling word and image; and finally, succumbing to the lure of the visual in collages in which words play a subordinate role or disappear altogether. If, as this book’s first poem maintains, “we know each other from what we leave behind,” Wortsman writes, “I will hope these cut-up words and images bestir a smile or two on the face of the reader and perhaps a knowing nod.”



What We Leave Behind by Peter Wortsman is available now.


Author of work in multiple modes, including fiction, plays, poetry, and translation from the German, most recently Odd Birds & Fat Cats, An Urban Bestiary, created in collaboration with his daughter, artist-illustrator Aurélie Bernard Wortsman, short listed for an Eric Hoffer Book Award, Peter Wortsman was a fellow of the Fulbright (1973) and Thomas J. Watson Foundations (1974), and a Holtzbrinck Fellow at the American Academy in Berlin (2010). His work has garnered a Beard’s Fund Short Story (1985) Award and an Independent Publishers Book Award (2014), among other honors.

Website: https://www.peterwortsman.com

Facebook: @peter.wortsman

Instagram: @peter_wortsman



What began as countless daily texts from Brutus to make Stevo laugh at work soon evolved into their final collaborative venture. The pair’s original scheme, Stevo working at a fortune cookie factory swapping standard fortunes for Brutus’ quotes, failed when he was fired for refusing to wear a hair net. They quickly moved on to plan B, a page-a-day calendar, and Stevo began illustrating Brutus’ texts. That project was paused when Brutus passed in 2023, then restarted when Kevin Ausmus selected the strongest entries for a chapbook. The final product, The Gospel According To Bombastus, explores topics from biology to theology with wit, wisdom, and weirdness.